Calamity Jane was the first major production staged when the group was formed in the early 80s to bridge the gap between the then Gilbert & Sullivan Society and Drama Group productions.

How fitting that this Western musical originally written by James O'Hanlon, lyrics by Paul Francis W ebster with music by Sammy Fain should be chosen to celebrate 25 years of regular productions at the Library Theatre.

"Calam" contains some absolutely superb scenes, also as mentioned earlier some of the most memorable heartstopping melodies and lyrics ever—and some unbelievably challenging and exciting characterisations for soloists, chorus and dancers.

Great fun to dress—from girlie country attire to posh frocks—cow punchers, bushwackers, prospectors and soldiers—day and stagewear for 'theatricals' - to say nothing of can-can extravagances—the vision throughout was one of colours, frills and petticoats . . .severe black male suits and hats a la Wyatt Earp—hats, waistcoats, tartan shirts and worn jeans with some wonderful shagg y whiskers. What a crowd—and not one out of character throughout.

This is real professional amateur theatre. Director and choreographer Trudy Stevens had obviously put her heart and soul into the show with choreographer of the can-can, Emma Whittemore and, of course the ever present MD Teresa Short with rehearsal pianists Barbara Springthorpe and Simon White.

The utterly clear diction of the chorus was immediately obvious; 20the ability of the singers clearly very high. The can-can brought whoops of delight from the audience as well as, traditionally, from the stage! Other dance numbers were concise and polished—and obviously enjoyed.

Budgets traditionally hard to balance, this polished and exciting production deserved a better set but the soloists — all of such high calibre - just swung from scene to scene. Lizzie Pieroni's "Calam" were first class and the guys and gals complemented her role beautifully. It's ANYTHING GOES in the Spring! Be there!